ÖDEVLER NEREYE YÜKLENECEK?/WHERE TO UPLOAD THE PROJECTS

The projects are going to be uploaded to youtube!

The file name must be YOUR STUDENT NUMBER!

and then you are going to send me the link via email: ozan.konrot@emu.edu.tr

Good luck...

--------------

Projeler youtube'a yüklenecektir!

Dosya adı öĞRENCİ NUMARANIZ olacaktır!

Yüklemenin ardından lütfen benim ozan.konrot@emu.edu.tr adresime link atınız.

Bol şans....


youtube'a video yüklemeyi öğrenmek için/to learn how to upload a video to youtube:
http://www.google.com.tr/search?q=how+to+upload+a+video+to+youtube&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a

FINAL PROJECT DEADLINE

Final Projects are to be submitted until the 11th of June, 2010.

Details on where and how you will upload it will be announced.

PROJECTS AND GRADES

Grading criteria:

1) You should participate in the shootings at the Spring Festival + Report on your experience (1 page - NO PRINT-OUT SEND TO ozan.konrot@emu.edu.tr ): 10 pts. - REPORT DEADLINE 21 MAY 2010 - STIRCT

2) In-class participation: 10 pts.

3) Paper: "How does the filmmaking process work, what are the job descriptions and what are the relations between jobs" (3-4 pages - NO PRINT-OUT SEND TO ozan.konrot@emu.edu.tr ): 30pts - DEADLINE 21 MAY 2010 - STIRCT

4) Final Project: 3 minute film, subject "A DAY IN YOUR LIFE" - consider the angles, shots but mostly THE STORY AND HOW YOU TELL IT - 50pt - Deadline will be announced.

CAMERA MOVEMENT

This page outlines the standard types of camera movement in film and video. In the real world, many camera moves use a combination of these techniques simultaneously.

Crab: A less-common term for tracking or trucking.

Dolly: The camera is mounted on a cart which travels along tracks for a very smooth movement. Also known as a tracking shot or trucking shot.

Dolly Zoom: A technique in which the camera moves closer or further from the subject while simultaneously adjusting the zoom angle to keep the subject the same size in the frame.

Follow: The camera physically follows the subject at a more or less constant distance.

Pan: Horizontal movement, left and right.

Pedestal (Ped): Moving the camera position vertically with respect to the subject.

Tilt: Vertical movement of the camera angle, i.e. pointing the camera up and down (as opposed to moving the whole camera up and down).

Track: Roughly synonymous with the dolly shot, but often defined more specifically as movement which stays a constant distance from the action, especially side-to-side movement.

Truck: Another term for tracking or dollying.

Zoom: Technically this isn't a camera move, but a change in the lens focal length with gives the illusion of moving the camera closer or further away.

http://www.mediacollege.com/video/shots/movement.html

SHOT SIZES

Establishing shot: or long shot, gives your audience a sense of location and will set the scene for your film

Medium shot: makes your subject the key element of the frame and often used to show interactions with other characters. When using medium shots, be aware of what else is in the frame, so as not to interfere with your subject.

Close up shot: usually fills the frame with a single object and encourages your audience to concentrate on a particular aspect of the story.

XCU: extreme close up

VCU: very close up: face shot from mid forehead to above the chin

BCU: big close up: full head

CU: close up: just above head to upper chest

MCU: medium close up: just above head to lower chest

MS: medium shot: just above head to below the waist

MLS: medium long shot: contains the entire body plus a short distance above or below

LS: long shot

XLS: extra long shot

WS: wide shot

Single: shot of just one person, usually speaking

2S (two shot): shot of two people, usually speaking

GV: general view: usually wide shot establishing location

OS: off screen or out of shot

http://www.medicalaidfilms.org/modules/Editor/uploads/pdf/MAF_Shooting.pdf

Drawings by Ozan Konrot

COLOR MIXING

From Wikipedia, the free encyclopedia

There are two types of color mixing: Additive and Subtractive. In both cases there are three primary colors, three secondary colors (colors made from 2 of the three primary colors in equal amounts), and one tertiary color made from all three primary colors.

Additive Mixing

Additive mixing of colors generally involves mixing

colors of light. In additive mixing of colors there are three primary colors: red, green, and blue. In the absence of color or, when no colors are showing, the result is black. If all three primary colors are showing, the result is white. When red and green combine, the result is yellow. When red and blue combine, the result is magenta. Additive mixing is used in television and computer monitors to produce a wide range of colors using only three primary colors.

Subtractive Mixing

Subtractive mixing is done by selectively removing certain colors, for instance with optical filters. The three primary colors in subtractive mixing are yellow, magenta, and cyan. In subtractive mixing of color, the absence of color is white and the presence of all three primary colors is black. In subtractive mixing of colors, the secondary colors are the same as the primary colors from additive mixing, and vice versa. Subtractive mixing is used to create a variety of colors when printing on paper by combining a small number of ink colors, and also when painting. The mixing of pigments does not produce perfect subtractive color mixing because some light from the subtracted color is still being reflected. This results in a darker and desaturated color compared to the color that would be achieved with ideal filters.